It’s not every day that you’re in the studio working with one of your long-time friends and favorite models when 360 West magazine art director, Meda Kessler, emails and writes, “Hey, shoot me a photo of Hendrick’s Gin for our upcoming issue. Shoot whatever you like.” Knowing that I keep a bottle of Hendrick’s in the studio at all times, she assumed, correctly, that I’d be eager to come up with something for the June issue.

If you haven’t tried Hendrick’s, you owe it to yourself to get thee to a spirits store post-haste. A long-time fan of Tanqueray and Bombay Sapphire, I have now relegated them to mixer status. The art of the martini is a delicate one and for my money, Hendrick’s is the only gin worthy of my shaker.

Now one of the many great things about working with Meda is that she’s all about collaboration. She wants the photographer to bring his or her vision to everything she assigns. It’s why top photographers all over north Texas are clamoring to shoot for her and it’s why her magazine, now in its 14th issue, is so gorgeous to look at. Meda is one of those rare art directors who hires the best then leaves them alone to do what they do.

She does not feel the need to change or tweak or put her mark on a photographer’s work. Those art directors are the bane of any creative shooter’s existence. They are insufferable. There’s a special ring in hell reserved just for them.

So, with model Liz Ashley in the studio in a new Zac Posen tuxedo, we conspired to create the photo you see here. Liz and I had been talking about the tux shoot for more than a year and the Hendrick’s shoot just fell neatly into place.

Every once in a great while the planets align and stuff just seems to work.

This and other images from The Robert Hart Studio are available in my searchable online archive:

Brooks and Dunn gave their final Dallas performance Saturday to a sold-out crowd at Superpages.com Center. While Ronnie Dunn and Kix Brooks put on one hell of a show, they don’t get that close together onstage–at least not during the first three songs, which is all the promoter will allow photographers to shoot.

My assignment was to photograph both performers in one vertical frame. That image didn’t blow my skirt up but this shot of Ronnie downstage was a nice moment.

This and other images from The Robert Hart Studio are available in my online archive:

Wes Mason, in the role of Reinaldo Arenas, leaps among the women of his Cuban village, while Fort Worth Opera conductor, Joe Illick, leads the orchestra during a dress rehearsal for the world premier of Jorge Martin‘s “Before Night Falls” at Bass Hall in Fort Worth, Texas, Thursday May 27, 2010.

Fort Worth Opera‘s latest creation, “Before Night Falls,” opened at Bass Hall this weekend to enthusiastic crowds and while the reviews are mixed, Fort Worth gets a tip of the hat for underwriting composer and librettist Jorge Martin‘s operatic re-telling of Reinaldo Arenas’ life story.

This and other images from The Robert Hart Studio are available in my online archive: