My cover assignment for Fort Worth Weekly‘s coverage of the independent film Ticked Off Trannies With Knives involved shooting two performers, one director and one protester. I was able to shoot the film’s antagonist, Tom Zembrod, and protester and transgender person, Kelli Busey, in my studio. But Krystal, star of the film, and my cover subject, and Israel Luna, the film’s writer/director, had to be shot on location in Dallas.

My assistant, Amber Roark, and I met Summers at S4 in Oak Lawn at 8 p.m. We had an hour to unload, schlep the lights up a flight of stairs, set up, shoot and tear down.

Summers met us at the back entrance of the club and ushered us to the stage where we set up lights while she vanished into her dressing room to get into costume and makeup.

Fort Worth Weekly art director, Andrea Brentz, and I had discussed a cover that would be evocative of the pulp fiction novel covers of the 50s. Beyond that, Brentz gave me free rein to do whatever I wanted with the subjects. The goal with Krystal, as heroine, Bubbles Clicquot, was to depict a powerful and angry woman.

We lit Krystal with one of the Profoto 600 monolights in a 36-inch softbox as our main light. We used two blue-gelled Nikon speedlights for a rim light on her hair and left side to separate her from the dark background.

Brentz photoshopped in the blood-stained knife clutched in Summers’ right hand.

This and other images from The Robert Hart Studio are available in my searchable online archive:

I had a few minutes at the Meyerson this afternoon with Hamlisch who’s in town to promote the DSO’s pops series. Hamlisch will be conducting the series and intends to feature American composers. For Mark Lowry’s story on Hamlisch, go to TheaterJones.com.

Hamlisch, a child prodigy who attended Juilliard as a seven-year-old, is one of two humans to win The Oscar, The Emmy, The Grammy, The Tony and the Pulitzer Prize. The other is Oscar Hammerstein.

We shot in the Meyerson’s green room, which is your basic DARK space with rich mahogany-colored walls. This was going to be an interview session, which meant I’d shoot while my colleague, Mark Lowry of TheaterJones.com, asked questions. While 11 minutes might sound like a short time, anyone who works with celebrities knows it’s more than enough time to make a nice portrait.

I make it a point to arrive at least an hour early to every shoot. I like to see the space well ahead of time and set up lights, test, and correct early. Typically, I have an assistant with me to help but none of my favorites were available today, so I schlepped the gear myself–with Mark’s help.

I used a 48-inch softbox with a Profoto 600 monolight camera-right and a white tri-fold reflector camera-left, just an inch or two outside the frame. Hamlisch, 65, had been up and running since 5 a.m. and was grateful for a few minutes to sit before walking into the Mort’s foyer for a evening-long reception.

Hamlisch is ever the gentleman and a delight to work with. His face lit up when he talked about the master class he’ll teach later this month for students at Booker T. Washington High School for the Performing and Visual Arts. Hamlisch, the teacher, can’t wait to get in front of those kids.

This and other images from The Robert Hart Studio are available in my searchable online archive:

Wes Mason, in the role of Reinaldo Arenas, leaps among the women of his Cuban village, while Fort Worth Opera conductor, Joe Illick, leads the orchestra during a dress rehearsal for the world premier of Jorge Martin‘s “Before Night Falls” at Bass Hall in Fort Worth, Texas, Thursday May 27, 2010.

Fort Worth Opera‘s latest creation, “Before Night Falls,” opened at Bass Hall this weekend to enthusiastic crowds and while the reviews are mixed, Fort Worth gets a tip of the hat for underwriting composer and librettist Jorge Martin‘s operatic re-telling of Reinaldo Arenas’ life story.

This and other images from The Robert Hart Studio are available in my online archive:

NYC playwright, Zayd Dohrn’s, Long Way Go Down will premier tomorrow evening, May 28, 2010, at Kitchen Dog Theater in Dallas.

I photographed Dohrn for TheaterJones.com at the McKinney Avenue Contemporary gallery this morning. We made the photo in the gallery space because I wanted a photo of the playwright that had a bit of mood and mystery to it. The shadow behind him is cast by the sculpture “The Way Home” a foam sheet/mixed media piece by artist Kana Harada, whose work is currently on display in the gallery. Harada’s intricate piece dominates the space and it provided a perfect gobo for this shot.

To create the shadow, I lit the sculpture with an SB 600 and green gel off camera right. I wanted the shadow to spill across the white gallery wall behind the subject. Dohrn was lit with an SB 900 in a 15 x 15 softbox, camera left.

Dohrn, 33, is the son of William Ayers and Bernadine Dohrn, members of the ’70s radical movement Weather Underground.

This and other images from The Robert Hart Studio are available in my online archive:

Moby Dick, Herman Melville’s classic, debuts tomorrow night with the Dallas Opera. There’s a huge buzz about how director Leonard Foglia intends to portray the whale and it’s been one of Dallas’ best kept secrets. Given Mr. Foglia’s reputation for putting audiences in the middle of the action, the leviathan’s first appearance onstage in Dallas should be stunning. Stories this week in the The New York Times and The Wall Street Journal have only added to the suspense.

Back on April 1, I had the opportunity to meet and photograph Moby Dick‘s composer, Jake Heggie, and librettist, Gene Scheer, for www.theaterjones.com inside Dallas’ gorgeous new Winspear Opera House. I wanted to incorporate the rich, warm burgundy surfaces inside the lobby, so I arrived a couple hours early to scout the location.

Jake and Gene showed up right on time and we were able to finish the shoot in less than 30 minutes. What an absolute delight these two were to work with. They were both enthusiastic, engaged and eager to participate and I am delighted with the result.

As any photographer will tell you, a good portrait requires the cooperation of the subject(s) and Jake and Gene were the best.

Turns out they loved the result as much as I did and each requested a signed copy of the photo, which I was flattered to provide.

I’m eager to see the performance tomorrow evening and can’t wait for the great white whale’s operatic debut.

I just wrapped up a project involving five stunning actresses from the Fort Worth/Dallas stage and film scene. Brilliant, beautiful and a blast to work with, all five were delightful collaborators. It included three actresses, Jennifer Sipes, Juli Erickson and Morgana Shaw, from “Carried Away“, Tom Huckabee’s film.

Tom’s film was featured at the Dallas Film Festival, which is wrapping up this weekend. Two of the actresses, Stephanie Rhodes and Arianne Martin were featured in Frank Mosley’s film, “Hold“, also featured at DFF.

Both “Carried Away” and “Hold” were filmed in Texas using the best of north Texas’ stage, film and production talent.

New York actor and playwright, Taylor Mac, is currently performing at the Undermain Theatre in Dallas and paused Monday to speak with Theater Jones critic, Mark Lowry. Taylor talks about his craft and his creative process in Lowry’s video interview.

Taylor’s a brilliant and thoughtful young actor whose hands move constantly while he’s talking. I simply let him speak and the hands did the rest.

I recently photographed singing sensation, Stephanie Umoh, outside the Neil Simon Theatre on 52nd Street in NYC.

Umoh is a Lewisville High School graduate who, just two years out of the Boston Conservatory, is cast as Sarah in the current revival of “Ragtime.” Watch for the upcoming story and profile of Umoh at www.theaterjones.com.